Tuesday, July 27, 2010

Oh Boy, New Math!

I’d like to continue the theme from my last blog about comedians and their role in bringing us the news, albeit with a certain slant. But first humor me with a brief departure, still in the realm of popular culture, to this season’s premier of TV’s Mad Men. In this episode the creative director of a new, breakaway advertising firm blows an opportunity to promote his company in a magazine interview. When he defends himself before his board by saying that his work speaks for itself, he is told, “turning creative success into business is your work and you failed”. I took this harsh criticism personally and wondered if by writing a blog “with no agenda”, I am in essence failing. Samuel Johnson, a great writer and a man of many quotes said, “No man but a blockhead ever wrote except for money”. To me, unlike to admen and pundits, it’s not that black and white. Admen love to force us into clear cut choices, their brand or brand X. One of the best ad campaigns ever, the one in the 70s for Miller Lite, took two choices and pointed them both to their product: “Tastes great…Less filling”. It was a heads I win, tails you lose angle that caught on and led to America’s acceptance of light beer. Interestingly, the advertising firm responsible for the campaign, McCann Erickson, was also the firm that, in Mad Men, made the hostile takeover at the end of last season. No takeovers here. I plan to keep writing without monetizing or expecting anything in return except your (mostly) kind comments.

In 1964 David Frost imported a comic news hour from England, That Was The Week That Was. Despite a solid core group of comics plus guests such as Woody Allen, Steve Allen, Bill Cosby, Mike Nichols and Elaine May, the show only lasted one year. Instead of using skits as SNL would later do, TW3, as it was called, used songs to comment on current events. The main songwriter was a Harvard graduate and math instructor, Tom Lehrer. He got his start as an undergraduate where he wrote “Fight Fiercely, Harvard”. He entertained classmates, performed at clubs, eventually recorded an LP and had 300 made for sale around Harvard. (This was just like Bert and I at Yale. See 11/09 blog, Cay-ent Get They-uh From He-uh.) In 1955 he was drafted and served two years at the NSA. His big contribution to army cryptography was the invention of Jell-o shots. He continued his songwriting and performing but never gave up his day job. His songs were clever, in the vein of Cole Porter or Yip Harburg. When he heard that TW3 was looking for songs he wrote one for National Brotherhood Week:

     Oh, the white folks hate the black folks,
     And the black folks hate the white folks.
     To hate all but the right folks
     Is an old established rule.

The TW3 regulars performed this song and 8 others including his best known "New Math":


When TW3 ended, Lehrer was left with enough proven songs to make a second album, That Was The Year that Was. This was released by a major label, promoted nationwide including appearances on the Tonight Show, and made it into the Benjamin household where it joined Allan Shermans’ My Son The Folk Singer and Nut in our collection of comedy albums.

Though both Lehrer and Sherman sang funny songs, they were very different. While Lehrer was clever and precise, Sherman was Hamish and a bit of a slob. He was an LA TV producer who wrote humorous lyrics to popular tunes and performed them for his friends. He lived next door to Harpo Marx, whose friend George Burns heard Sherman’s songs and got him a record contract. His themes were those of 1960s American Jewry. His first album, My Son The Folk Singer, parodied our imperfect assimilation into American society where we retained our old world speech patterns, strong family ties, boorish manners and thrifty ways:

     Shake hands with your Uncle Max, my boy
     And here is your sister Shirl
     And here is your cousin Isabel
     That's Irving's oldest girl
     And you remember the Tishman twins
     Gerald and Jerome
     We all came out to greet you
     And to wish you welcome home

The juxtaposition of these lyrics and Sherman’s accent with the melody of an old Irish tune was hysterical. It was pure side splitting shtick when he replaced “Meet Branigan, Fannigan, Milligan, Gilligan,Duffy, McCuffy, Malachy, Mahone,” etc. with

     Meet…
     Merowitz, Berowitz, Handelman, Schandelman
     Sperber and Gerber and Steiner and Stone
     Boskowitz, Lubowitz, Aaronson, Baronson,
     Kleinman and Feinman and Freidman and Cohen.

His next album, with its hit song "Hello Muddah, Hello Fadduh" made him a star. Even JFK went around singing his songs. Sadly, he died at the age of 48, having too well assimilated into a life of overeating, smoking and booze.

So, what was it for me as a kid, Lehrer or Sherman? Yankees or Mets? Flintstones or Jetsons? Tastes Great or Less Filling? Vicki’s Manhattan or Marty’s Brooklyn? The answer? “Oh, Boy!” I liked them all. That was the real new math, “So very simple, That only a child can do it!”

Wednesday, July 21, 2010

You Can't Beat That

Chevy Chase spoke last week at a 25th anniversary screening of his movie Fletch. During the movie, he sat with the audience, squirmed in his seat, made uncomfortable faces and tried his best to show his discomfort with the attention and exaggerated adulation given by the Avon Theater’s pretentious artsy audience. After the screening he owned up to not being an actor in the vein of Sean Penn or Robert DeNiro, and said that he just tried to be himself in his films, making wise cracks, improvising, falling down, basically doing the same things he had done from Elementary School to Saturday Night Live to get laughs. When an audience member stood up, mike in hand, and took five minutes to comment and finally ask a question, one whose only point was to show how knowledgeable and perceptive he was, Chevy was brilliant. He rolled his eyes, stuck his finger down his throat, hanged himself with his tie, and when the question finally came, answered it with a quick quip and moved on to the next question. It was a merciless strike at pomposity that made us all smile. It reminded me first of Woody Allen’s coup with Marshall McLuhan in Annie Hall:

http://www.youtube.com/watch?v=bBtXfBdEXEs

It reminded me second of why I like Chevy Chase. It’s not because he’s a great actor. In every one of his movies, all lightweight comedies, someone else was always funnier. Sure, he’s a comedian, but more for falling down (his classic SNL parody of Gerald Ford) and smirking than for quickness and wit. Though many thought he’d inherit Johnny Carson’s job as host on the Tonight Show, Johnny said of Chase, "He couldn't ad lib a fart at a baked bean dinner". Johnny missed the point. Chevy was surrounded by the best ad libbers ever. He was hired as SNL’s head writer for the likes of John Belushi, Gilda Radner and Bill Murray. He played straight man for Richard Pryor in a racially charged skit that included the N word and ended with a bug-eyed, boiling over Pryor hissing, “Dead Honky”:

http://www.youtube.com/watch?v=Bl9I7IUFKu4&feature=related

YouTube won’t even show the original.  It’s too hot. Chevy never had to be the funniest guy on stage and never could. And he never tried to be. We liked him because he was willing to be the tag along, second fiddle, prat-falling straight guy. His line, “I’m Chevy Chase and you’re not” wasn’t directed at Belushi, it was aimed straight at us. He was the dumb schmuck lucky enough to be up there on stage with greatness. He was one of us. While Belushi and Pryor have crashed and burned, Chase has grayed, gained some weight and rolled back onto TV for NBC in some sit-com that I’ll likely never see.

If Chevy was great in any comedic role, it was as host of SNL’s Weekend Update. In the tradition of Laugh-In’s Look at the News, he satirized the week’s news stories. Even better, Update introduced editorial comments from the likes of Roseanne Roseannadanna, Emily Litella (“Never mind.”), John Belushi (”But nooooo...”) and many other cast members and guests. When Jane Curtin took over Chevy’s role in 1976, she added Point/Counterpoint which immortalized her as everyone’s favorite “ignorant slut”.

News today is even worse than in 1976 and it is not surprising that most of our 16 to 30 year olds get it from Jon Stewart’s Daily Show. Despite being a comedian, Stewart has been voted our most admired and trusted news anchor. He has a keen nose for political hypocrisy and probably invented the technique of using video clips to catch politicians making blatantly contradictory statements. He, like Chevy, says nothing and instead, rolls his eyes to make his point. He lacks Chevy’s physical presence. He is short, slim and a bit of a Nebbish. Of course, it follows that he is a Mets fan. While Chevy is a New York blue blood, descended from the Mayflower, Stewart, nee Leibowitz, grew up in New Jersey, proposed to his wife in a crossword puzzle, at times sucks up to guests and has socialist leanings. His gift, more than his razor sharp wit or his willingness to let his righteous anger show on stage, is his heart. After 9/11 he showed that heart at a time when he knew we were not ready for comedy:

The view... from my apartment... was the World Trade Center... and now it's gone, and they attacked it. This symbol of American ingenuity, and strength, and labor, and imagination and commerce, and it is gone. But you know what the view is now? The Statue of Liberty. The view from the South of Manhattan is now the Statue of Liberty. You can't beat that.

No argument here. I’m happy my kids get their news from Stewart. As Chevy would say, “Good night and have a pleasant tomorrow”.